Alongside a certain path leading into Inokashira Park stands a mysterious stone figurine atop a stump, vaguely in the shape of a human. It has been there for as long as I can remember. Hiroko tells me it was there when she was a child, and probably before she was born. It has always been looked after, often festooned with a tiny custom-knit cap and wrapped in shawls that are inevitably replaced just before they grow too tattered. Once, after a series of rapid "fashion changes" left the statue naked several years back, someone left a note pleading with whoever had been removing the clothing to stop, lest it "get cold."
For some reason this year it has been particularly well attended. Over the last few months it has been swaddled in a handmade sweater to ward off the winter chill and surrounded by more extravagant offerings that usual: a pinecone, a glass of saké, a statuette of a teddy bear, a stuffed animal.

Some theorize it is a
jizo, one of the little stone bodhisattvas that watch over travelers and the souls of children who die before their parents. That would explain the piles of tiny stones that sometimes accumulate at its feet, in the Japanese jizo tradition. But the statue isn't carved with a jizo's usual childish proportions or attention to detail.
I can't be the only one wondering about the figure's obscure origins, because it actually played a bit part in the opening of the movie
Ge Ge Ge no Kitaro 2: The Song of the Thousand-Year Curse. You can just barely catch a glimpse of it in the
official trailer for the film. It remains a mystery wrapped in an enigma wrapped in a comfy shawl.