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    « April 2006 | Main | June 2006 »

    Getting Garada

    K7faceSafety deposit boxes. Tens of thousands of dollars in cash. Robot snuff films. The world's rarest Japanese toy. Sounds like the plot to a '70's-era Kinji Fukasaku movie.

    Japanese toy website ToyboxDX.com breaks the story of an obsessed American securing one of the world's rarest Japanese character toys. Nobody knows for sure how many of this grotesque-looking vinyl robot toy were actually produced in the early '70s, but it's believed there are fewer than five surviving specimens. That makes finding a Garada K-7 a near impossibility, even for the most dedicated of toy-freaks. Collector Tom Franck finally shelled out $17,000 smackers to get his hands on one. Nice!

    How to Make Pancakes

    MoreEver wondered what all the text on Japanese food packages says? Here's your chance to find out. Just try to ignore their smiling little faces.

    Deco-Tora

    Spotted in Mitaka: the Ge Ge Ge no Kitaro-mobile! Is this how Mizuki Shigeru commutes to work?

    Yokai_1

    Spotted in Shibuya (right in front of the Disney Store, no less): the Boob-mobile! It's a rolling ad for a Kanagawa plastic surgery clinic. I couldn't tell, but I can only hope the driver was enjoying some of Patrick's Tokyo Bust Pudding.

    Boob

    Beano!

    Beano1_1From Wikipedia, the free encyclopedia:

    Beano can refer to:

    -The Beano, a British children's comic.

    -Another name for bingo.

    -Beano (dietary supplement), used to prevent flatulence.

    -Blues Breakers with Eric Clapton, a 1966 John Mayall & the Bluesbreakers album nicknamed The Beano Album.

    -Beano or Beanfeast, is an English colloquial term for a binge drinking session, specifically the occasion when serfs would be offered a meal by the lord of the manor once a year.

    BUT THEY FORGOT ONE! Meet BEANO, the Japanese snack food that's theoretically made from green peas but looks and tastes like little green styrofoam peanuts! As with every cute character in Japan, Beano wouldn't be complete without a mildly disturbing back-story, helpfully translated from the back of the package by yours truly. No, no. You can thank me later.

    Latitude Zero

    Iriomote

    Back from Iriomote Island, "the Galapagos of Japan." Yes, that's Taiwan in the satellite photo. Iriomote is the second to southernmost island of Japan and a good four hours by plane and boat from Tokyo's Haneda Airport. Wet cough from the sudden return to cold, smoggy skies. Tokyo is a city that needs to be dragged kicking and screaming through the seasons, and it's taking my lungs with it. Unlike the perpetually warm islands of Okinawa, one day it's seventy degrees and blue skies, the next it's forty and rain.

    Mysterious skin infection creeping up my arms. Space herpes? I think it's from the fire coral I accidentally brushed against while chasing a needlefish through the reef. Or maybe it's from that strange fruit we ate. "Peach-Pine." Looks like a baseball-sized pineapple. Tastes like a peach. The twentysomething driver of the ox cart we hired to take us through the shallows to a neighboring island recommended it to us. The best part? It turned out he got his job by answering a want ad in "From A," the nationwide job-searching website and magazine. You, too, can be an ox-cart driver.

    Exotic skin conditions aside, I should count myself lucky. Iriomote-Jima was uninhabitable for centuries until the US bombed it with DDT right after the war, killing the millions of malarial mosquitoes that had been breeding there. When the first settlers arrived they found a verdant jungle paradise, man-sized ferns straight out of Jurassic Park, soaring mountains, and strange fruits nestled in the branches of ancient-looking palm trees. They also met the locals: giant moths, mountain leeches, scorpions, centipedes, enormous mutant crayfish and crabs, and the habu, three-foot long pit vipers that hide in the underbrush and send unwary hikers to the hospital if they're lucky and the grave if they aren't.

    The only way to get to Iriomote is by taking a puddle-jumper from Okinawa's capital of Naha to Ishigaki-Jima, the nearest island with anything resembling a major airport, and then hopping a forty minute jet-ferry ride to Iriomote's Ohara Port. Huge air-conditioned buses shuttle sightseers, the vast majority day-trippers, around the tiny sliver of Iriomote's coastline that's developed for tourism. Never one for the group thing, Hiroko and I opted to rent a tiny car instead. We took it all over the east and north coasts of the island, looking for likely spots to jump into the mangroves and reefs in search of animal adventure. Hence the fire-coral incident.

    The bulletin board of the local restaurant had a poster of Aum Supreme Cult fugitives, the same one you see posted at police boxes all over Tokyo. Hey, you never know who's hiding in those jungles. Or maybe you do: right next to it, a wanted poster featuring a South American iguana's face gets equal space and time. Another foreigner on the lam from immigration. Down South, an iguana's as big a deal as a Triad member with a fake passport is in Kabukicho. This is why I love Okinawa.

    Flashback to day three. We're on Hatoma Island, a ten-minute jetski ride from Iriomote. The Okinawan sun is punishing, dishing out eight times the UV in comparison to Tokyo's latitude. Current population: forty-five full time residents and ten tourists. Nothing like a visit to an island where Hiroko's and my presence accounts for a statistically significant portion of the population to remind us we aren't in Tokyo anymore. Our bronzed, bearded guide is Toshiro Mifune in a wetsuit, the epitome of Japanese machismo. "This is main street," he says, gesturing towards a dirt strip curving along the beach. On the left stand a ragtag series of cozy homes surrounded by hand-made walls made of local stones and shells. Their red roof tiles are faded from the powerful sun, and a pair of traditional Okinawan "Shiisa" gargoyles perch on every rooftop. Bonus points on the otaku quiz: Godzilla's pal King Ceasar ("Shiisa" -- get it?) takes his style from gargoyles just like these. On the right stretch the crystal-blue waters of the bay we'll soon be snorkeling.

    "And there's the middle school," continues the guide as we reach the end of main street. The wooden schoolhouse looks like something out of a Showa-nostalgia drama. It and the playground are perched atop a bluff overlooking the ocean. The scene's so idyllic, it almost seems like a set. And then reality hits: "They had to shut it down for a while due to a lack of kids on the island, but they just reopened it as a rehabilitation center for hikikomori shut-ins and victims of bullying." Wow. So now they're shipping them off to distant tropical islands. Nice therapy. I could use some myself.

    I could also use some lunch. But first, we've got to make it through the tour. "There's a relay race held here every fall," continues Wetsuit Mifune. "People come in from all the neighboring islands. We had two hundred people competing last year. First prize is a goat." Shinjuku this ain't. "Goat's a delicacy in Okinawa. It's really gamy and tough as hell. A lot of people don't like it. But you can't eat goat meat, you aren't a real man here. Anyway, the real delicacy are the balls. They save 'em for special occasions and serve 'em up raw." It's the other, OTHER white meat.

    Visions of goat-testicle sashimi dancing in our heads, Hiroko and I nervously head for the island's lone restaurant. "By the way," shouts the guide over our shoulders, "feel free to walk around, but if you see stairs leading to a shrine, don't take them. The islanders don't like tourists in there. Got it?" I think back to our ox-cart driver, who had told us much the same thing. "There's shrines up in the hills," he'd said between flyswatter smacks on our beast's fragrant rump. "You don't want to be poking around in there. They find you during a ceremony, they get mad. I mean they'll try to kill you."

    In spite of the dire warnings, every single islander we met treated us with friendliness and hospitality. And fire coral attacks aside, the rest of our days were spent peacefully floating in the perfectly transparent waters, watching the tropical fish and dodging the occasional sea-snake. We never did figure out what was going on in the shrines. Perhaps that's where all the fugitive cult members and iguanas are hiding.

    Iriomote 2006 Photo Album

    The Eyes Have It

    Pursesm_1
    From the same folks who brought you the Super Deformed Robbery at Knifepoint comes the Super Deformed Hooligans on Scooters Snatching the Purses of Unwitting Bicyclists! Talk about a complicated scheme. Where's Kamen Rider when you need him?

    Enter the 36th Chamber of Chogokin

    Mastnew

    Attention, grownups: geek zone ahead.

    Not so long ago, in an American suburb far, far away from Tokyo, I helped create a website by the name of ToyboxDX. It was intended for grown men with an inordinate fondness for Japanese toy robots. When Alen Yen founded it back in 1998, it was a grimy little corner of the Web devoted to an arcane sub-unit of the hobby of toy collecting. It still is, and I mean that with love. A friend of mine who "isn’t in the life" once described ToyboxDX as being a "snarling otaku pit." I think that was a compliment.

    Little has changed in the eight intervening years save for the fact that Japanese pop culture is a lot less arcane than it used to be. American kids quote lines from their favorite anime and "cosplay" as their favorite characters. You can find Japanese toys on the shelves of Wal-Mart. There's at least two English language books out on the topic, one co-authored by yours truly. The "scene" gets coverage – even occasional cover stories -- in everything from ToyFare to Wired to Playboy. (Yes, Playboy. But that's another story for another time.) In the age of the Internet, no stone of childhood nostalgia remains unturned for long. And that goes double here in Japan, a place where even the government is starting to promote pop culture as the next "big thing."

    Last year, Japanese toy company Bandai, never missing an opportunity to milk a few extra yen out of Japanese robot toy freaks, released a luxuriously large-format slipcased hardcover book by the title of Chogokin Chronicle. Chances are, if you're browsing this site, that you're already at least passingly familiar with what "Chogokin" means. (If you aren't and have even the slightest interest in toy robots, hither thee to the ToyboxDX Datafile on the subject.)

    Chogokin Chronicle is absolutely killer stuff for robot junkies. Problem is, it's all in Japanese. That's why I decided to translate a handful of chapters and make 'em available here. There aren't a whole lot of "original source" materials on the subject of Japanese robot toys available in English, and I'm hoping to do some more sections when I get the free time… No promises on when that'll be, though. In the meantime, enjoy retired toy master Katsushi Murakami reminiscing about the robots he designed. A word of caution: these passages are from a book written for the sort of folks who engage in heated arguments about design similarities between Combattler V and Voltes V, people for whom words like "rocket punch," "Godbird mode," and "Super Alloy Z" are daily vocabulary. Consider yourself warned.

    Awakening: The Introduction

    Transformation: Designing "Brave Raideen"

    Fusion: Designing "Future Robo Daltanias"

    The Ultimate: Creating "Tetsujin 28"

    Robots

    Like, @Deep, Man...

    Akibakei_1
    You know it's The Next Big Thing when it's front-page news in the Nihon Keizai Shimbun, Japan's equivalent of the Wall Street Journal. Top headline this morning: "Anime For Overseas Audiences to be Produced in America." The none-too-fresh scoop, which already hit the Net back in March, is that Tokyo-based Polygon Pictures is teaming up with Nickelodeon to produce an all-new CG animated show for American kids. "Akihabara@Deep" will be based on the manga of the same title, and sports a decidedly Westernized animation style that looks more "Gorillaz" to my eyes than "classic" anime. (The official website warns that these are only preliminary design concepts, though.)

    Otaku power rears its head in a graph accompanying the article, charting the steady growth of the domestic Japanese animation marketplace from 1.5 billion dollars a year in 1999 to more than two billion in 2004. Still, "recent fears of the industry being overextended have made foreign co-productions a hot topic among anime companies." This is a big shift from the days when Japanese studios simply licensed their leftovers to American and European distributors.

    First "Harajuku Girls," now "Akihabara@Deep." If it takes off, will legions of corn-fed American kids be singing the praises of Radio Kaikan, Mandarake, and maid cafes...?

    Lunchtime on Monster Island

    Giantflounder
    Mainichi Shinbun reports that a Japanese fisherman hooked a monstrous flounder the size of an Ikea throw-rug just off the coast of the Miura peninsula, a favorite snorkeling spot of Hiroko's and mine. Here's the link:

    Giant flounder caught off Kanagawa gets off the hook

    And while we're at it, a handful of shots from our most recent expedition to Miura last summer. No mutant flounder, alas, but we did find:

    A sculpin
    Rocky Reefs
    A Sardine school
    A Pickleback
    Anemones, and...
    Yog, Monster from Miura

    Also on the underwater tip, we're planning a jaunt to the mangroves of Iriomote Island, located in the Okinawan archipelago, later this month. And of course, I'll be "upping" photos (as the Japanese say) shortly thereafter.

    Life in Suburbia, Part II

    Knife It's the Super Deformed Robbery at Knifepoint! "Reports of Convienience Store Robberies On the Rise," exclaims this photocopied sheet that's been appearing on bulletin boards around the Mitaka area. Being an American, the thought of using a knife in a hold-up sounds almost quaint to me. In my country, the illustration would probably feature a .357 Magnum or a rocket launcher or whatever the kids are using to rob 7-11s these days.